The following version of this book was used to create this study guide: The novel is broken into four parts but for the purposes of this guide, the chapters are grouped together within the parts. It is a historical fiction novel though it is based on a real woman, Abigail May Alcott Nieriker.
I have not encountered an American movie — much less an American movie, designed to be a gigantic blockbuster and based on Alcott analysis hugely popular comic book — that is structured as ingeniously and compellingly as this one.
There are so many issues for the writer to address: All these balls must be kept in the air and these concerns must mesh in a straightforward, compelling, swift, action-packed cinematic narrative, consistent in Alcott analysis and true to its source material.
None of the Superman movies do it, none of the previous WB Batman movies do it, none of the Spider-Man movies do it, neither of the Fantastic Four movies do it, and, even after 22 tries, none of the Bond movies do it either.
The Iron Man movies come close — really close. It kind of shocks me that there are people out there who hate this movie — hate it, in a way that only the internet can inspire.
I do not think Batman is a passive character. This sounds like hair-splitting but I think is a key to understanding the success of the narrative and the world Nolan builds here.
Alcott Analysis by:Celestina Padilla I began reading The Brothers thinking it would be similar to some of Louisa Alcott’s work I had read previously. Little Women may be a children's book, and it may have a fluffy, cozy, domestic feel. But Louisa May Alcott was the daughter of a well-read philosopher, and her command of language is impressive. S. The Inheritance emphasizes themes that were important to her and that would appear throughout her work: honesty, integrity, and self-sacrifice. It also clearly conveys what may well be the most important of themes to Alcott: family.
Freeze to freeze Gotham City using a giant telescope in order for plants to take over the world in Batman and Robin? To some people, The Dark Knight contains some sort of a political message.
The Dark Knight deals with a lot of real-life civic issues, but it remains a drama, not a treatise.
When the screenwriter does his job well, the audience gets sucked into the story and experiences the thrill of drama. When he does his job very well, the thrill of the experience is so powerful that the audience comes back again and again, even though they know how the story turns out.
Spectacle may amaze and movie stars may charm, but if the screenwriter has not done his job well, the movie will still turn out bad and the audience will stay home. The Dark Knight engages the audience on a level unseen in movies lately, and does so while employing a number of bold innovations, which I will discuss as we move forward.
ACT I begins with a heist sequence: The Joker has hired a bunch of goons to rob a bank owned by The Mob. We know, although the goons do not, that the Joker is, in fact, part of the masked crew. What do we learn from this sequence?
Well, we learn that the Joker is meticulous in his planning and duplicitous in his intent. No one is safe when he is around. He lies when it suits his purpose — his goal is not to impress people with his wisdom but to get them to do something.
Further, we learn that he is brave enough, or foolish enough, or crazy enough, to steal money from The Mob. The robbery also marks a shift in the crime world of Gotham City: The force and density of this sequence often leads people to believe that the Joker is actually the protagonist of The Dark Knight, as he seems to set events into motion.
That opening delivers a great deal of narrative for a thrilling six-minute action sequence, and the density of the screenplay does not let up from there. Next, there are a number of brief scenes outlining the current state of crime Gotham City.
The mere idea of Batman, we learn, is scaring ordinary criminals off the streets — one could say that Batman is, in his own way, a terrorist, practicing asymmetrical warfare on the Mob, upsetting the status quo of the criminal population, creating a kind of crime vacuum, which allows a costumed freak like the Joker to flourish.
We also meet, briefly, detectives Wuertz and Ramirez, who will become important later on.[In the following chapter from a critical study of Alcott's fiction, Keyser offers an analysis of Behind a Mask, considering the work in the context of the "Victorian Cult of True Womanhood. The Other Alcott Summary & Study Guide Hooper, Elise This Study Guide consists of approximately 72 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of The Other Alcott.
A Woman's Legacy: An Analysis of Feminist Themes in the Work of Louisa May Alcott Jessica Brook Greene University of Tennessee - Knoxville Alcott's critical reputation was basically negative during the early part of the 20th century, and the neglect.
Behind a Mask was originally published in The Flag of Our Union in Later, in , Madeleine B.
Stern republished the story under Alcott's name with a collection of her other pieces. Alcott’s story begins with the four March girls—Meg, Jo, Beth, and Amy—sitting in their living room, lamenting their poverty.
The girls decide that they will each buy themselves a present in order to . Summary. Read a Plot Overview of the entire book or a story by story Summary and Analysis.