A story to tell: Retrieved Sep 17 from https: Come with me and we will meet wondrous creatures great and small, from the past and present that inhabit the Emerald Isle. Even before I could walk, I was told of leprechauns.
Studies in Aggadah and Jewish Folklore. The Magnes Press,pp. The concept of folklore emerged in Europe midway in the nineteenth century. Originally it connoted tradition, ancient customs and surviving festivals, old ditties and dateless ballads, archaic myths, legends and fables, and timeless tales, and proverbs.
As these narratives rarely stood the tests of common sense and experience, folklore also implied irrationality: From the perspective of the urbane literati, who conceived the idea of folklore, these two attributes of traditionality and irrationality could pertain only to peasant or primitive societies.
Hence they attributed to folklore a third quality: As an outgrowth of the human experience with nature, folklore itself was thought to be a natural expression of man before city, commerce, civilization, and culture contaminated the purity of his life.
It provided standards for inclusion or exclusion of stories, songs, and sayings within the domain of folklore proper.
In their turn, these terms of meaning generated additional attributes, which together comprised the- sense of the concept of folklore in common use, in print, and in speech.
The cloak of tradition concealed the identity of those who authored folktales, ballads, and proverbs, and transmission from generation to generation obscured their origins.
Thus, by default rather than merit, anonymity became an earmark of folklore. Indigenous prose or poetry became part of folklore only after the memory of its creator had been erased.
Then, the seal of anonymity sanctioned tradition as genuine. It legitimized songs and tales as integral parts of the cultural heritage of society. Yet, the anonymity of folk narratives, rhymes, and riddles hardly solved the enigma of origin. The responsibility for authorship had to be placed in the hands of some creator, divine or human.
So, in the absence of any individual who could justifiably and willingly claim paternity of myths and legends, the entire community was held accountable for them. After all, the existing evidence appeared to support such an allegation.
Irish literature, the body of written works produced by the regardbouddhiste.com article discusses Irish literature written in English from about ; its history is closely linked with that of English regardbouddhiste.com-language literature is treated separately under Celtic literature. Irish people, in general, are very relaxed about time. Manners People will generally say ‘please’ and ‘thank you’, for example, when getting off a bus most people will thank the bus driver. As old as man himself, the oral tradition of storytelling is a hallmark element of the human experience all over the world. Explore the healing powers of storytelling through a definition.
Narrators and singers often attribute their tales and songs not to a single individual, but to the collective tradition of the community. Even in the exceptional cases in which they indeed claimed authorship, they succeeded in unveiling analogues in their own and other traditions.
Such parallels cast doubt upon any contentions for originality and sustained the assertion of the communality of folklore. Any expression has to pass through the sieve of communal approval before it can be considered folklore. But the identification of the processes that would justify the attribution of communality to any story or song has proved to be rather complex, even logically thorny.
Furthermore, how does the community foster its bond between people and their folklore, and exactly which of its aspects relate to the society at large: These and other issues are the whetstones that have sharpened debates that were crucial to the idea of folklore.
From various viewpoints the attribute of communality implies communal creation, re-creation or, simply, expression.
Communal creation involves some anachronistic reasoning: Such an explanation may solve the problem of authorship, but our inferring origins from results might not be logically valid.
In the cultural and social spheres, the mode of existence cannot necessarily attest to the genesis of forms. Historical processes such as diffusion of themes, dissemination of ideas, and imitation of manners do affect the state and nature of folklore.
Consequently, collective knowledge of tales and songs cannot be an unequivocal indicator of creation. The notion of communal re-creation counters this dilemma. It prolongs the moment of origin over historical periods and conceives of the formation of songs, for example, not in a single exhilarative burst of poetic creativity, but through repetitive recitations of singers on communal occasions.
Each improvises and embellishes the text yet conforms to the communal aesthetic and ethical standards. Such an interpretation of the communality of folklore also allows the e viewing of folk prose and poetry as expressions of social fears and wishes, ideals, and values.Free Online Library: A story to tell: the culture of storytelling and folklore in Ireland.(Essay) by "Childhood Education"; Family and marriage Irish folklore Educational aspects Irish literature Appreciation History Storytelling Demographic aspects.
Traditional Storytelling Storytelling traditions vary all over the world, yet have many things in common. This section is an attempt to gather information on customs of the oral tradition world-wide. The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out” (86).
Benjamin had a very valid point in terms of oral storytelling, but clearly the art of storytelling in the written form will never die out, and visual storytelling is blossoming like never before. Irish literature, the body of written works produced by the regardbouddhiste.com article discusses Irish literature written in English from about ; its history is closely linked with that of English regardbouddhiste.com-language literature is treated separately under Celtic literature.
Dr. David Leeming, in his book Storytelling Encyclopedia: Historical, Cultural, and Multiethnic Approaches to Oral Traditions Around the World, asserts that storytelling and our obsession with narrative is a characteristic of every culture throughout all of time.
The oral tradition of storytelling is expansive, inclusive, and one major hallmark of the . As old as man himself, the oral tradition of storytelling is a hallmark element of the human experience all over the world.
Explore the healing powers of storytelling through a definition.